{"id":39390,"date":"2018-02-13T09:45:51","date_gmt":"2018-02-13T14:45:51","guid":{"rendered":"https:\/\/architizer.com\/blog\/?p=39390"},"modified":"2021-11-04T08:08:08","modified_gmt":"2021-11-04T12:08:08","slug":"behind-the-building-steven-holl","status":"publish","type":"post","link":"https:\/\/staging.arc.ht\/blog\/practice\/materials\/behind-the-building-steven-holl\/","title":{"rendered":"Behind the Building: Lewis Arts Complex by Steven Holl Architects"},"content":{"rendered":"

How can architecture be a force for good in our ever-changing world? During\u00a0Future Fest<\/a>, we\u2019ll pose this question to some of the world\u2019s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend.\u00a0Register here<\/a>!<\/strong><\/em><\/p>\n

The recently completed Lewis Arts Complex<\/a>, located on the Princeton University campus, is a symphonic masterpiece by Steven Holl Architects<\/a>. The project comprises three buildings organized around a spacious public courtyard. The tripartite program\u00a0\u2014 music, theater and dance\u00a0\u2014 is united by the Forum, a multipurpose gathering and performance space, sunken beneath the courtyard.<\/p>\n

\"Lewis

Image via Steven Holl Architects.<\/i><\/p><\/div>\n

As illustrated in the concept sketch above, the design is based on a musical approach to architecture, a desire to create harmony between discordant materials. The architects, like the conductors of an orchestra, collaborated with designers, manufacturers and craftsmen to customize every space within this performing arts complex. So, as you decide what products to specify in your next project, be inspired by these beautiful, bespoke finishes:<\/p>\n

\"Lewis

Photo by Paul Warchol.<\/i><\/p><\/div>\n

Limestone Cladding<\/h2>\n

Manufactured by\u00a0Pimar<\/b><\/a><\/p>\n

The outward-facing fa\u00e7ades are solid and monumental. They are clad in Lecce, an ancient limestone known for its light beige color and remarkable workability. The stone derives its name from the Lecce region of Italy, where the cladding was quarried and fabricated by local masons.<\/p>\n

\"Lewis

Photo by Paul Warchol.<\/i><\/p><\/div>\n

Curtain Wall Fa\u00e7ade<\/h2>\n

Manufactured by\u00a0Gartner<\/strong><\/a><\/p>\n

The inward-facing fa\u00e7ades appear more delicate, featuring large expanses of clear and acid-etched glazing. While most of the glass is framed by shot-blasted steel mullions, the curtain wall of the Music Building is supported by slender steel cables which permit uninterrupted views of its interior.<\/p>\n

\"Lewis

Photo by Paul Warchol.<\/i><\/p><\/div>\n

Interior Millwork<\/h2>\n

Manufactured by Eastern Millwork Inc.<\/strong><\/a><\/p>\n

Inside the Music Building, rehearsal rooms are held apart from the main structure by steel rods in order to maximize acoustic isolation. Like musical instruments, these suspended volumes are clad in richly stained Cherrywood veneers, milled by local craftsmen.<\/p>\n

\"Lewis

Photo by Paul Warchol.<\/i><\/p><\/div>\n

Cast-in-Place Concrete<\/h2>\n

Manufactured by\u00a0Villa<\/strong><\/a><\/p>\n

The walls of the public spaces are finished in textural, board-formed concrete which is painted white to emphasize the play of light and shadow on its surface. In the main lobby, a three-dimensional plan of the complex has been imprinted into the concrete, creating an abstract sculptural relief.<\/p>\n

\"Lewis

Photo by Mike Van Tassell<\/a>.<\/i><\/i><\/p><\/div>\n

Interior Glass<\/h2>\n

Manufactured by Josloff Glass Co.<\/strong><\/a><\/p>\n

The architect\u2019s use of acid-etched glass is continued on the interior of the building in the form of acoustic glass partitions and railings. These translucent sheets of glass, supported by bead-blasted steel stanchions, appear to float above the raw concrete floors.<\/p>\n

\"Lewis

Photos by BNIM Architects.<\/i><\/p><\/div>\n

Custom Stair Railings<\/h2>\n

Manufactured by Crystal Steel<\/strong><\/a><\/p>\n

Although the complex contains many elegantly-detailed stairs, the most dynamic is the \u201cdancing staircase\u201d in the Wallace Dance Building and Theater. Its perforated metal railing was designed by Steven Holl, who was inspired by labanotation symbols, which are often used by choreographers to compose dance routines.<\/p>\n

\"Lewis

Photo by Paul Warchol.<\/i><\/p><\/div>\n

Contract Furniture<\/h2>\n

Manufactured by\u00a0Arflex<\/a>, Cappellini<\/a>, CC-Tapis<\/a>,\u00a0Moroso<\/a>\u00a0<\/strong>and\u00a0<\/strong>Wittmann<\/strong><\/a><\/p>\n

To encourage collaboration among fellow students and faculty members, there are informal sitting areas scattered throughout the project. Each features chairs and sofas by renowned furniture designers, as well as custom area rugs based on Steven Holl\u2019s own watercolors.<\/p>\n

\"Lewis

Photo by Paul Warchol.<\/i><\/p><\/div>\n

Skylights<\/h2>\n

Manufactured by Gartner<\/strong><\/a><\/p>\n

The Forum, which is\u00a0partially embedded in the ground, is illuminated by a series of deeply recessed skylights. These are submerged in the reflecting pool above, allowing natural light to filter into the space and shimmer onto surfaces below.<\/p>\n

\"Lewis

Photo via Afasia Archizine.<\/i><\/p><\/div>\n

Door Hardware<\/h2>\n

Manufactured by\u00a0Firedance Studio<\/strong><\/a><\/p>\n

At the main entrances, visitors are greeted by weathered steel door handles, designed by Steven Holl and built by Firedance Studio. These twisted, metal sculptures form pull handles on the exterior and are connected to flat plates \u2014 with the word “PUSH” drilled into them\u00a0\u2014 on the interior.<\/p>\n

\"Lewis

Photo via Afasia Archizine.<\/i><\/p><\/div>\n

LED Light Fixtures<\/h2>\n

Manufactured by Firedance Studio<\/strong><\/a><\/p>\n

Steven Holl also collaborated with Firedance Studio on a series of custom light fixtures inspired by musical staffs. Each consists of five horizontal tubes, illuminated by warm LEDs. They are, as Joe Keal of BNIM Architects described<\/a>, \u201ca beautiful overlay of refinement and simplicity atop the rough, board-formed concrete wall.\u201d<\/p>\n

How can architecture be a force for good in our ever-changing world? During\u00a0Future Fest<\/a>, we\u2019ll pose this question to some of the world\u2019s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend.\u00a0Register here<\/a>!<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Steven Holl collaborated with craftsmen on every element of this landmark performing arts building.<\/p>\n","protected":false},"author":137,"featured_media":39424,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"architizer_featured_type":"insert","architizer_featured_image":"","_uag_custom_page_level_css":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,2],"tags":[],"architizer_project":[9900],"architizer_brand":[9901,9904,9903,9905],"architizer_firm":[9306],"architizer_product":[],"class_list":["post-39390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-materials","category-practice","architizer_project-lewis-arts-complex","architizer_brand-arflex","architizer_brand-cappellini","architizer_brand-cc-tapis","architizer_brand-moroso","architizer_firm-steven-holl-architects"],"acf":[],"yoast_head":"\nBehind the Building: Lewis Arts Complex by Steven 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