{"id":16433,"date":"2015-05-25T10:00:00","date_gmt":"2015-05-25T10:00:00","guid":{"rendered":"http:\/\/architizer.wpengine.com\/marble-collection\/"},"modified":"2017-09-19T11:53:54","modified_gmt":"2017-09-19T11:53:54","slug":"marble-collection","status":"publish","type":"post","link":"https:\/\/staging.arc.ht\/blog\/inspiration\/collections\/marble-collection\/","title":{"rendered":"Celebrate \u201cMarmoreal\u201d Day With 7 White-Marble Marvels"},"content":{"rendered":"

Marble has long been a staple of art and architecture alike, and its popularity has scarcely waned despite the availability of alternatives and approximations. David Chipperfield<\/a>, for one, is known for his masterful use of the material, which is at once luxurious and understated, not to mention classical and beautiful. Meanwhile the Taj Mahal is among the most famous white-marble building in the world, as are many of Washington, D.C.’s landmarks: the Washington Monument (the world’s tallest stone structure), the Lincoln Memorial and Supreme Court Building.<\/p>\n

Indeed, marble abides as a reliably robust yet elegant material in contemporary applications, especially in those regions where the building material is quarried, around the Mediterranean. Here are seven examples of buildings that are tastefully clad in white marble.<\/p>\n

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\u00a9 Triptyque Architecture<\/p>\n\t<\/div>\n

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\u00a9 Triptyque Architecture<\/p>\n\t<\/div>\n

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\u00a9 Triptyque Architecture<\/p>\n\t<\/div>\n
Groenl\u00e2ndia<\/a><\/b> by Triptyque Architecture<\/a>, S\u00e3o Paulo, Brazil<\/p>\n

The cubic volume of this office stands out among its wooded surroundings. A concrete slab is cantilevered over the wraparound deck on the second story.<\/p>\n

\n\t\n\t\n<\/div>\n
\n\t\n\t\n<\/div>\n
The Cleveland Museum of Art<\/a><\/b> by Rafael Vi\u00f1oly Architects<\/a>, Cleveland<\/p>\n

Rafael Vi\u00f1oly was tapped for the second addition to Hubbell and Benes\u2019 original 1916 Beaux-Arts design, following an expansion by Marcel Breuer in 1971. The Uruguayan architect splits the difference between the two aesthetics with broad bands of white marble alternating with thin black stripes, a nod to the rather darker Breuer wing. Effectively doubling the size of the museum, to 592,000 square feet, the project opened in three phases from 2009 to 2013.<\/p>\n

\n\t\n\t\n\t

\u00a9 Thomas Mayer_Archive<\/p>\n\t<\/div>\n

\n\t\n\t\n\t

\u00a9 Thomas Mayer_Archive<\/p>\n\t<\/div>\n
Argul Weave<\/b><\/a> by BINAA | Building Innovation Arts Architecture<\/a>, Bursa Province, Turkey<\/p>\n

This office building invites a second look, as its \u201cwoven\u201d exterior is actually made from white Patara marble, from Burdur, Turkey. The red marble at the foundation comes from the Turkish Aegean region.<\/p>\n

\n\t\n\t\n\t

\u00a9 Andre Espinho Arquitectura<\/p>\n\t<\/div>\n

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\u00a9 Andre Espinho Arquitectura<\/p>\n\t<\/div>\n

\n\t\n\t\n\t

\u00a9 Andre Espinho Arquitectura<\/p>\n\t<\/div>\n
School Center Paredes Alenquer<\/a><\/b> by Andre Espinho Arquitectura<\/a>, Alenquer, Portugal<\/p>\n

This school is characterized by a long white volume that sits atop four darker wings perpendicular to the second story below. The marble makes a striking contrast with the slate, both of which are sourced in Estremoz.<\/p>\n

\n\t\n\t\n\t

\u00a9 MG2 ARCHITETTURE<\/p>\n\t<\/div>\n

\n\t\n\t\n\t

\u00a9 MG2 ARCHITETTURE<\/p>\n\t<\/div>\n
Metal and Marble<\/b><\/a> by MG2 Architetture<\/a>, Turin, Italy<\/p>\n

In addition to the two titular materials, the exterior also features wood paneling, which complements the grayish-white Carrara marble and the dark gray titanium-zinc panels.<\/p>\n

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\u00a9 Rocha Leite Arquitectos Associados<\/p>\n\t<\/div>\n

\n\t\n\t\n\t

\u00a9 Rocha Leite Arquitectos Associados<\/p>\n\t<\/div>\n

\n\t\n\t\n\t

\u00a9 Rocha Leite Arquitectos Associados<\/p>\n\t<\/div>\n
AGROS Building<\/a><\/b> by Rocha Leite Arquitectos Associados<\/a>, Argivai, Portugal<\/p>\n

This corporate headquarters is clad in white Estremoz marble tiles \u2014 a fitting color for the Portuguese dairy company.<\/p>\n

\n\t\n\t\n\t

\u00a9 Demaine Partnership Architects<\/p>\n\t<\/div>\n

\n\t\n\t\n\t

\u00a9 Demaine Partnership Architects<\/p>\n\t<\/div>\n

\n\t\n\t\n\t

\u00a9 Demaine Partnership Architects<\/p>\n\t<\/div>\n
Beaumaris Dental<\/a><\/b> by Demaine Partnership Architects<\/a>, Beaumaris, Australia<\/p>\n

Yep, this is a dental office with a pearly white exterior of marble and glass.<\/p>\n","protected":false},"excerpt":{"rendered":"

Marble has long been a staple of art and architecture alike, and its popularity has scarcely waned despite the availability of alternatives and approximations. David Chipperfield, for one, is known for his masterful use of the material, which is at once luxurious and understated, not to mention classical and beautiful. Meanwhile the Taj Mahal is…<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"architizer_featured_type":"","architizer_featured_image":"","_uag_custom_page_level_css":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,3],"tags":[15],"architizer_project":[],"architizer_brand":[],"architizer_firm":[],"architizer_product":[],"class_list":["post-16433","post","type-post","status-publish","format-standard","hentry","category-collections","category-inspiration","tag-collection"],"acf":[],"yoast_head":"\nCelebrate \u201cMarmoreal\u201d Day With 7 White-Marble Marvels - Architizer Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.arc.ht\/blog\/inspiration\/collections\/marble-collection\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Celebrate \u201cMarmoreal\u201d Day With 7 White-Marble Marvels - Architizer Journal\" \/>\n<meta property=\"og:description\" content=\"Marble has long been a staple of art and architecture alike, and its popularity has scarcely waned despite the availability of alternatives and approximations. 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