{"id":146220,"date":"2022-06-23T09:15:00","date_gmt":"2022-06-23T13:15:00","guid":{"rendered":"https:\/\/architizer.com\/blog\/?p=146220"},"modified":"2022-06-21T07:55:52","modified_gmt":"2022-06-21T11:55:52","slug":"olson-kundig-bob-dylan-center","status":"publish","type":"post","link":"https:\/\/staging.arc.ht\/blog\/inspiration\/stories\/olson-kundig-bob-dylan-center\/","title":{"rendered":"Olson Kundig’s Bob Dylan Center Blends Beautiful Architecture With Sophisticated Exhibition Design"},"content":{"rendered":"How can architecture be a force for good in our ever-changing world? During\u00a0Future Fest<\/a>, we\u2019ll pose this question to some of the world\u2019s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend.\u00a0Register here<\/a>!<\/strong><\/em>\n

\u201cArchitecture is frozen music,\u201d Johann Wolfgang von Goethe once said, and the links between songwriting and building design have been drawn continually throughout the past century. The latest coming-together of these creative disciplines arrived in the city of Tulsa, Oklahoma, where acclaimed architecture firm Olson Kundig<\/a> completed their transformation of a former gallery building into the Bob Dylan Center, home to the complete archive of one of the most iconic rock stars in history.<\/span><\/p>\n

I met with architect Alan Maskin, Principal and Owner of Olson Kundig, for a guided tour of the project. \u201cThis was originally an international design competition, and at first the client was looking for architects and exhibit designers,\u201d explained Maskin. \u201cOlson Kundig is one of the few firms that does both. I\u2019m sure you\u2019ve been in museums where the architect stopped and the exhibit designer took over, and they never met or talked to each other; we try to design visitor experiences where, spatially and narratively, everything is working together.\u201d<\/span><\/p>\n

\"\"

Bob Dylan Center, Tulsa, OK; photo by Matthew Millman<\/em><\/p><\/div>\n

The firm\u2019s versatility paid off when a new building was acquired for the Center that meant the architectural component of the brief was removed, and the scope shifted to exhibit design only. Olson Kundig were able to adapt to this new reality, and carried across many of their original design proposals to the new space. This included an incredible, evocative mural of Dylan, painted on the bare brick across an entire street-facing fa\u00e7ade.<\/span><\/p>\n

\"\"

Bob Dylan Center, Tulsa, OK; photo by Matthew Millman<\/em><\/p><\/div>\n

\u201cErik [Burke] is a graffiti artist whose work I found in an alley walking to work in Seattle,\u201d Maskin recounted. \u201cHe ended up spray painting the mural of a famous portrait, a very rare photograph of Bob Dylan by Jerry Schatzberg.\u201d The mural encapsulates the collaborative nature of both the project and the Center itself: Elements of architecture, art and music are woven together throughout the space, brought together by a rotating set of curators from diverse backgrounds including biographers, screenwriters, poets, filmmakers and more.<\/span><\/p>\n

\"\"

Bob Dylan Center, Tulsa, OK; photo by Matthew Millman<\/em><\/p><\/div>\n

Walking me through the material details and programmatic order of the space, Maskin revealed the intricacies of designing an exhibition for a legendary musician defined as much by his secrecy as his success. Dylan was an enigma, and his archive is similarly shrouded in mystery, much of it hidden away with only select pieces being made accessible to the visiting public. Maskin turned this challenge into an opportunity, and, rather than trying to create a \u201cmonument to a rock star\u201d like many conventional music museums, he opted to create a spatial experience that would \u201ctell the true story of Bob\u2019s creative trajectory\u201d.<\/span><\/p>\n

\"\"

Bob Dylan Center, Tulsa, OK; photo by Matthew Millman<\/em><\/p><\/div>\n

To this end, the selection of objects that are included within the exhibition are not intended to be viewed as relics, akin to a Hard Rock Caf\u00e9-style \u201cshrine\u201d. Instead, they are carefully curated to tell stories, revealing new narratives about Dylan\u2019s creative process. Taken as a whole, the Center forms a platform to spark inspiration in the minds of visitors, hopefully leaving them with the desire to create something new in their own lives.<\/span><\/p>\n

\"\"

Bob Dylan Center, Tulsa, OK; photo by Matthew Millman<\/em><\/p><\/div>\n

The exhibition is expertly designed to serve people with different levels of interest and knowledge on Dylan and his career. \u201cThere are three different types of visitor that we needed to design for,\u201d said Maskin. \u201cThe \u2018Skimmers\u2019 are the ones that move through really quickly; they look at the big things, they read the headlines, they\u2019re there for about 30 or 40 minutes. The \u2018Swimmers\u2019 will know <\/span>Blowin\u2019 in the Wind<\/span><\/i>; they\u2019ll recognize pictures from history, things that call them over. They\u2019ll definitely go and touch things, and interact with them, but they\u2019re only there for about an hour to an hour-and-a-half. The \u2018Divers\u2019 includes \u2018Dylanologists\u2019, people who have devoted their entire lives to the career and works of Bob Dylan. We knew we had to have something for these people, something that they had never seen before.\u201d<\/span><\/p>\n

\"\"

Bob Dylan Center, Tulsa, OK; photo by Matthew Millman<\/em><\/p><\/div>\n

While this project was more about exhibition curation than architectural design, there is a significant piece of architecture embedded within the project \u2014 designed by none other than Dylan himself. \u201cWhen we designed the original competition rendering, if you look carefully, we actually put a Bob Dylan gate on the outside of the building \u2026 we had no idea if we\u2019d ever get one, but somehow, through connections and people doing us favors, he agreed to make one. The materiality of that, the fact that he\u2019s a writer that also welds and works with metal, we just loved showing that side of him.\u201d<\/span><\/p>\n

\"\"<\/p>\n

This 17-foot tall gate resides in the lobby of the Center, a machine-like screen of welded industrial components. The piece harks back to the idea underpinning Wolfgang von Goethe\u2019s \u201cFrozen Music\u201d quote: That creativity can carry itself across mediums, and the arts can overlap in the most unexpected, yet wonderful, ways. <\/span>The same can be said for Olson Kundig.<\/span><\/p>\n

This extraordinary design firm, so famed for its tenacious, tactile works of architecture, has also demonstrated its expertise in exhibition design here, with a series of subtle yet sophisticated design moves and wealth of smart collaborations. As a result, Tulsa has a timely new cultural landmark, securing a home for Dylan\u2019s legacy for decades to come.<\/span><\/p>\n

Top image: Bob Dylan Center, Tulsa, OK; photo by Matthew Millman<\/em><\/p>\nHow can architecture be a force for good in our ever-changing world? During\u00a0Future Fest<\/a>, we\u2019ll pose this question to some of the world\u2019s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend.\u00a0Register here<\/a>!<\/strong><\/em>\n","protected":false},"excerpt":{"rendered":"

“We try to design visitor experiences where, spatially and narratively, everything is working together,\u201d says Olson Kundig’s Alan Maskin.<\/p>\n","protected":false},"author":17,"featured_media":146253,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"architizer_featured_type":"insert","architizer_featured_image":"","_uag_custom_page_level_css":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,5],"tags":[],"architizer_project":[],"architizer_brand":[],"architizer_firm":[],"architizer_product":[],"class_list":["post-146220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inspiration","category-stories"],"acf":[],"yoast_head":"\nOlson Kundig's Bob Dylan Center Blends Beautiful Architecture With Sophisticated Exhibition Design - Architizer Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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